It's a real challenge for us to in very limited rehearsal time with a lot of events going on simultaneously put together especially a program of this difficulty and variety together and lightning fast. John: For his album, We Are. My good friend Titus Underwood likes to often post the question to American orchestras, "Are we American orchestras or are we European approximations?" Founded in 1993 by pianist and music professor Armenta Adams Hummings Dumisa, the Gateways Music Orchestra was cultivated to connect Black musicians with a shared passion for classical. World premiere, so a song and a kind of sweet for piano into orchestra all in one extraordinarily well-received performance here on the main stage at Carnegie Hall. It's a big event for the members of the Gateways Music Festival Orchestra coming down to Carnegie Hall from their home in Rochester, in upstate New York. We know that it is, and that's what we're doing. -on stage, certainly, but certainly I think this was the best possible opportunity to have my first outing with this great orchestra on this great occasion. Then we'll proceed into the piece, From Carnegie Hall Live, the world premiere of. He . The Eastman School of Music was founded in 1921 by industrialist and philanthropist George Eastman (1854-1932), founder of Eastman Kodak Company. We understand its importance, so that's really significant. This is the intermission of this concert, the Gateways Music Festival Orchestra. The Gateways Music Festival Orchestra makes its Carnegie Hall debut this month led by Anthony Parnther . John: It turns out that Gateways isn't just an organization that serves musicians. George Walker composed it in 2003. Also, sometimes I think we've used it to absolve ourselves as an art form from the issues of the day. This place for musicians is key and essential and critical to the mission because most of our players work in environments where there are very, very, very few people, if any, who look like them. This performance is free and open to the public, but tickets are required. Gateways Radio features exceptional compositions and . John: In 2009, some people were renovating an abandoned house outside of Chicago, lo and behold, they discovered all of these manuscripts and it turned out that it was not all, but most of Florence Price's compositions. Does that resonate with you? [applause]. That was our mentor's vision. It's our national anthem. It's this kind of dual mission. Of course, that's not true. John: In fact, the third movement is called Juba, which is a type of body percussion and dance that was widely found in musical traditions of enslaved Afro-Caribbean people. Alex: Yes. She created Gateways. The concert featured conductor Anthony Parnther of the San Bernadino Symphony Orchestra and Southeast Symphony & Chorus in Los Angeles; and Grammy Awardwinning pianist and composer Jon Batiste, who performed the world premiere of a commission for the orchestra. I think it's really interesting, Alex, that this idea that-- Representation, of course, is important, but this idea of the narrative of classical music is beyond race, is something universal. That's an unfair question. The orchestra just rehearsed his new piece for the first time on Thursday, it's called. PO Box . 3. Alex: Well, I think that's another thing we're saying about what do we think can and should happen in a concert that would be called classical and where is this music coming from and who are our composers. Celebrating over two decades of music making, the Grammy-nominated Imani Winds has led a revolution and evolution of the wind quintet that inspires audiences of all ages and backgrounds. Gateways Music Festival was founded in 1993 by Armenta Adams Hummings Dumisani in Winston-Salem, North Carolina. They were led by James Reese Europe, and they were one of the finest Black music ensembles to perform in Carnegie Hall and one of the first at that time. This concert is in fact part of his Perspectives series, but today's premier. It's a real honor to be here with all of you and in my inaugural. It's a new work by Jon Batiste, the Grammy-winning pianist and band leader you may know from, . John Schaefer: It's a big event for the members of the Gateways Music Festival Orchestra coming down to Carnegie Hall from their home in Rochester, in upstate New York. That composition is also being given its first hearing in Carnegie Hall in this performance. The Walker in its own way is a set of variations as well. Search sc.edu. Jeff: From Carnegie Hall Live, the world premiere of I Can, composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. John: And serves on the board of directors in this orchestra. 3. It's complex because each section has so many different contrasting qualities. Bless the Michael Morgan. The orchestra comes together and you just dig into the music. Recent performances include Los Angeles; Washington D.C.; Toronto; Danbury, Connecticut; and an eight-concert Midwest tour. George Walker was the first Black composer to win a Pulitzer prize in music that was in 1996 for his piece, . What's making the occasion even bigger is that they will be presenting a world premiere, a piece so new, the ink has barely dried on it. Kelly Hall Tompkins, the concertmaster giving the Gateways Music Festival Orchestra a chance to retune after that Brahms opening. Jeff: Now on stage, Conductor Anthony Parnther, ready to lead the Gateways Music Festival Orchestra and the Symphony No.3 of American composer, Florence Price. As you know, you're moving an orchestra or a music festival across a giant state like this is a big effort. You've been in the Gateways Orchestra since the start. Anthony has conducted artists spanning every musical genre including Joshua Bell, Jessye Norman, Yundi Li, Lynn Harrell, Frederica von Stade, Roderick Williams, Canadian Brass, Jennifer Holliday, Kanye West, Imagine Dragons, Omar Apollo, and Alan Walker. Then we'll proceed into the piece, I Can. 56a; George Walkers Sinfonia No. In May of 1912 at Carnegie Hall, where the stage welcomed a large ensemble of African American musicians, the Clef Club Symphony Orchestra. Jeff: It's wonderful to have you here. Anthony: I just feel that as musicians, our first responsibility is to come together and create beauty. Our satisfied clients include youth, high school, college, university and adult groups, including church and alumni tours. Orchestra Hall I'll share it with you now. , composed by Jon Batiste and performed by him at piano and the Gateways Music Festival Orchestra, making its Carnegie Hall debut in this concert under the direction of conductor Anthony Parnther. The Gateways Music Festival Orchestra, most of them at least are leaving the stage. Now, Batiste on his feet, really not moving away from the piano, receiving the applause from this audience and passing it on to all the members of the Gateways Music Festival Orchestra, and a deep bow from everyone on the stage. Of course, personally, I would love to see this orchestra come together more frequently. This place for musicians is key and essential and critical to the mission because most of our players work in environments where there are very, very, very few people, if any, who look like them. What was the idea there? Event unsuitable for children. 3 by George Walkerthe first African-American Pulitzer Prize for Music Laureate and whose centennial falls in 2022. This was a real challenge, but a little bit of everything. Anthony: Lift Every Voice and Sing. This is Carnegie Hall Live. KODAK HALL AT EASTMAN THEATREEastman School of Music60 Gibbs StreetRochester, NY. The two pieces are musical cousins and were actually intended to be so. 3 in C Minor, James Cockerhams Fantasia on Lift Every Voice and Sing and the world premiere of a work for narrator and orchestra by Oscar-winning, GRAMMY-nominated Jon Batiste, host of The Late Show with Stephen Colbert. It's an incredibly exciting week for all of us. It's thought to be an old Pilgrim chant known as, , but under any name, a virtuoso showpiece for the orchestra. Accuracy and availability may vary. General admission. General Admission. Because of limited seating capacity in the Rose Auditorium, we urge you to get your tickets as soon as possible. gateways music festival is changing the classical Music narrative "When Gateways musicians walk out on stage, a new line of inquiry - a new conversation - is opened with the audience before we even play a note because the backdrop of classical music is that this is a white art form. Congratulations. General Admission. A great big deep bow and a warm welcome to this Carnegie Hall audience. This April, the Gateways Music Festival Orchestra, comprised entirely of classical musicians of African descent, presents events around NYC, culminating with its eagerly anticipated Carnegie Hall debut on April 24. The role this hall plays in this music is understood by all. It can also serve as a beard or it can veil other, I think, less inclusive narratives. You have to make it true. John: As Jon Batiste's piece just showed. Media Only: Dolores Orman, Gateways Music Festival, 585-271-5185, dolores.orman@gmail.com Anthony Parnther | Photo by Konstantin Golovchinsky. His live orchestral concert appearances for e-sports titan League of Legends in Barcelona, Beijing, Seoul, and Los Angeles are among the most widely viewed symphonic concerts in the world, with live audiences of 50,000-75,000 spectators and a viewership that outpaces the World Series with approximately 100 million live streaming each League of Legends Finals Opening Ceremony concert. Paul Burgett was a leader in classical music. In Wynton Marsalis's re-imagining, A Fiddler's Tale, he takes Stravinsky's early jazz ingredients even further, melding jazz and classical idioms together with an updated narrative. Three-movement work played by the Gateways Music Festival Orchestra in their Carnegie Hall debut from Carnegie Hall Live. One of which is to support musicians of African descent who are isolated even in the ensembles in which they play as happens in other kinds of workplaces in the world, but also looking out at, as you said, the audience members who haven't found that Carnegie Hall is for them as well. Those 5 Grammy Award wins came on the heels of 11 Grammy nominations an almost unheard-of hall for one artist, including a nomination in the best classical composition category. 3. a series of exciting broadcast concerts drawing upon some of the finest live performances from Carnegie Halls stages over the past eleven years. It's an ensemble made up entirely of classical musicians of African descent, from orchestras around the country. The Gateways Music Festival Orchestra is a 125+ member ensemble of musicians of African descent under the leadership of conductor Anthony Parnther. . 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